MOSTRA
June 15 to November 7, 2025

A path of artworks in nature

OCA Oasy Contemporary Art and Architecture offers an immersive experience in the heart of the Pistoia Apennines, within the Oasi Dynamo nature reserve, featuring a circular route rich with works created by leading figures of the contemporary scene such as Alejandro Aravena, Mariangela Gualtieri with Michele De Lucchi, Kengo Kuma, Quayola, David Svensson, Pascale Marthine Tayou, and Matteo Thun.

The route, developed under the artistic direction of Emanuele Montibeller, responds to the question “How will we inhabit the world?” and unfolds across many dimensions—urbanistic, philosophical, cultural, and environmental. World-renowned architects and urban planners were invited to bring the exhibitions to life, designing works exclusively in situ, not only adapting to local characteristics but entering into a deep symbiosis with the place itself.

The route presents itself as the stages of a narrative: each installation, each work, dialogues with the others, echoing the central theme while expressing it through the sensitivity, geographic origin, cultural background, and human and professional experience of each artist and architect involved in the project. There are no predetermined answers: all installations provoke more questions than answers, offering examples or prototypes of a possible reorganization of our “way of being in the world” and ultimately representing the stages or pieces of an open, dialogic, co-creative narrative.

At OCA, there are no “installations” but “works,” no “visitors” but “people,” and the “exhibition route” here becomes a Path.

Pascale Marthine Tayou

The narrative journey at OCA begins with a global perspective, an exploration of the world in its “otherness” and gradually turns inward, inviting introspection about ourselves and the web of relationships we build with nature. The journey starts with Cameroonian artist Pascale Marthine Tayou, whose work “Plastic Bags” is a heartfelt denunciation of the fate of waste produced by Western overproduction. His piece prompts reflection not only on the relationship between humans and the environment but also on the connections between different regions of the world.

David Svensson

Environmental issues cannot be addressed within the closed boundaries of nationality or, worse, nationalism. They require an open approach that transcends borders and reassembles geographical and cultural identities in a spirit of dialogue. This is the essence of “Home of the World” by Swedish artist David Svensson.

Kengo Kuma

Kengo Kuma’s “Dynamo Pavilion” embodies an open approach that reaches beyond Western sensibilities, inviting us to reconsider the human-nature relationship through the themes of “emptiness” and silence, fundamental concepts in Eastern culture. Kuma’s installation, made of steel and carbon fiber, winds among the trees in a small clearing, appearing suddenly and almost by chance. The structure, thanks to its materials, vibrates in the wind and harmonizes with the surrounding nature in a respectful, minimal, almost immaterial relationship.

Mariangela Gualtieri e Michele De Lucchi

The next work along the Path, conceived by Italian architect and designer Michele De Lucchi, turns narrative itself into art. Here, the relationship with the world becomes an individual relationship with nature, set in a “timeless” realm reminiscent of mythology. De Lucchi reverses the classic order of myth-ritual-narrative, starting instead with a poem by Italian poet Mariangela Gualtieri, allowing the structure to be re-created differently with each listening. The story thus becomes the foundation of a construction designed to be open, with seamless interaction between inside and outside.

Matteo Thun

The dimension of myth and ritual is also recreated in the work of architect Matteo Thun, a sort of circle of “dolmens” that unites past and present, as suggested by the title “Fratelli Tutti.” The piece is a clear homage to Pope Francis’s encyclical “Laudato Si’,” and with the recent passing of the Pope, it takes on added emotion and gratitude. Thun’s work addresses the relationship between all human beings as inhabitants of the same planet, without distinctions or borders, in a spiritual, almost mystical dimension that calls for a profound reconnection with ourselves and the world.

Quayola

Ancient civilizations used stones fallen from the sky to build sacred monuments. Near Thun’s “enclosure,” visitors encounter other strange stones, half-hidden by vegetation, black rocks resembling meteorites, arranged at the forest’s edge. “Erosions,” by Italian artist Quayola, features lava stones eroded by algorithms and shaped by special machines, inspired by the ancient Eastern tradition of scholars’ rocks—natural stones carved by humans and transformed into objects of contemplation. Millennia-old knowledge, Eastern wisdom, self-discovery, and spirituality intertwine in a dense narrative thread running through the various works.

Alejandro Aravena

The journey finds its ideal conclusion (and new beginning) in Alejandro Aravena’s “Self Regulation.” Here, visitors are unconsciously faced with a choice, the outcome of which reflects their own conception of the relationship with nature and themselves. There is no right or wrong choice: the work offers a path of self-discovery in relation to the world.
Discover the path together with our environmental guides

How to visit OCA

The experience begins already at the parking lot, in Croce di Piteglio, where visitors leave their cars: OCA, in fact, can be reached only on foot, with a walk through the woods of about half an hour. From the parking lot one first skirts a few houses, then nothing more: just forest, trees and the sound of the wind. This slow regress from the signs of human civilization to nature allows people to make a spiritual journey as well, to rediscover themselves and their relationship with the planet.

Coming out of the thicket of trees, one arrives at a large sunny plateau, where one is welcomed into what was once a barn, which now houses the exhibition space where one can freely visit the exhibition “Art is wow!” curated by Fondazione Arte Dynamo.
Instead, the trail is accessed by participating in daily guided tours (at 11 a.m. and 3 p.m.), booking 48 hours in advance at the email address [email protected].

The route takes about an hour and a half of walking among the works and natural elements of the oasis.

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For a pleasant visit

Simple rules of behavior

To make the experience of OCA, within the Oasi Dynamo nature reserve, more enjoyable and comfortable, here are some simple rules to follow:

  • Maintain conduct that ensures the safety of everyone along the trail.
  • Always follow the instructions given by our environmental guide.
  • Stay on the designated trail at all times.
  • Respect the artworks without touching them.
  • Dogs must always be kept on a leash.
  • Do not leave any kind of litter. Dedicated waste containers are available at the visitor center.
  • Smoking and lighting fires are strictly prohibited within the Reserve.
  • It is recommended to wear suitable footwear and clothing for hiking.
  • It is the sole responsibility of each visitor to ensure that their health conditions are adequate for the activity.
  • Be aware that natural hazards may arise from adverse weather, falling trees or branches, free-roaming animals, and the absence of artificial lighting.
  • OCA and Oasi Dynamo disclaim any liability for accidents or damage to persons or property caused by carelessness or failure to comply with these behavioural rules.
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