The dimension of myth and ritual is thus recreated in the work of architect Matteo Thun: a sort of circle of “dolmens”, yet with a temporal dimension that brings together past and present, beginning with the title itself, “Fratelli tutti”. The homage to Pope Francis’s encyclical “Laudato sii” is clear, and his recent passing lends this work an additional note of emotion and gratitude.
With Matteo Thun, we therefore enter the question of the relationship between all human beings, as inhabitants of the same planet, without distinctions or borders, in a spiritual, almost mystical dimension, responding to the need for a profound reconnection with ourselves and with the world.
